Your reports Find reports When is a small person NOT a small person When is a small person NOT a small person Convener(s): Sophie Participants: Nick Sweeting; Jo Wonder; Lee; Matilda; Jo Hemmond; Angela Clerkin; Gary Summary of discussion, conclusions and/or recommendations: Sophie – doesn’t get put up for ‘small people’ roles because she uses a wheelchair; equally – doesn’t get cast as a wheelchair user – can she be cast in mainstream theatre in a non disabled role. Lee – all about boxes – the casting machinery is built on boxes obstacles – having to ask for specific people when casting until our work breaks out of that…. Jo H - recently worked with a Director for whom it had never occurred to cast disabled performers. Sophie – first gate – money for access for small companies Lee – if we wait for the money we’ll be waiting forever Angela – drawn to the question because of not wanting to be a ‘label’; if I say I belong to one group then I won’t belong to another. Trying to get to a place where labels don’t matter. Barrier is fear. Lee - audiences not troubled in a way that the casting mechanism suggests they might be. Angela – critics troubled – by that – conservatism – don’t want things to change. Agents/drama schools/casting agents = block Boxes within boxes How to create more roles Andrew Mc – directors don’t want wheelchair users – not pretty. Reluctant to have a deaf actor playing a deaf character. Why? Lee – artistic truth but then there’s the mechanism Sophie – not an artistic decision – based on prejudice. Lee – what they fear/perceive and reaction will be – mismatch with reality Angela – a lot of it is money – fear of special provision. Really about willingness. Jo H – in majority of cases money is a small barrier – government money available. Barriers = fear and ignorance…..how do we change? Start with theatre makers. Gary – two instances – freak or hidden; cultural shift needs to happen ……willingness Lee - routes before casting. Do we need to reach 2 types of people – Peope excited/ready by working with people who are different to them. People not interested due to fear etc Are different strategies required – exposure; networks; making work WHAT CAN WE DO? Rural touring companies holding annual auditions in a group Mind the Gap – showcase Graeae – open rehearsals Workshops – RFOs – so it’s not about box ticking for money Meetings/networks - Work on companies that want to work with disabled performers but don’t know how to