Theatre at music festivals: where, how and why Tom Spencer, 28 January 2013 Session called by Tom Spencer and attended by Robert Daniels, Sally Christopher, Andy Roberts, James Baker, Bridget Floyer, Aimee Corbett, Ilayda Arden and Tom Frankland The session was called (quite selfishly) in response to a number of audience members over the last year or so commenting that Fine Chisel's work (which is very live music-based and often happens in pubs) ‘would be perfect for music festivals’, but not knowing how to make that happen. It began as a pragmatic discussion about which festivals programme theatre work, possible financial deals, how to approach promoters and logistics of performing. It then moved on to a broader chat about the type of audiences that attend festivals, what they're looking for and what that means for us as artists. Where Here's a list of some of the festivals that came up across the length of the discussion: Latitude Big Chill (both Festival Republic) Glastonbury Secret Garden Party Bestival and Camp Bestival (great for family work) Nova Beacons Festival Portmeirion Larmer Tree End of the Road Paradise Gardens Hog the Limelight The general feeling was that the festival circuit isn't a closed shop - it's just a case of contacting people and pitching your work. Offer your niche There was strong support for artists approaching venues with more than just a ‘show’. Theatre tents are often big, require serious amplification and are reserved for more established companies. Rather, festivals are very keen to find new ideas to extend their physical sites, stagger groups of people across a weekend and appeal to a wide variety of audiences. For instance, it was suggested that Fine Chisel - as a company who often perform in pubs - should approach festivals with the idea of creating a bar space specifically for our work. The guys from Bootworks Theatre offered some really useful comments on the Outdoor Arts scene, coordinated by Without Walls. They said that the funding situation was quite different to music festivals and can be financially viable. This led to an agreement that family-centred work can often attract long-term audiences through festival networks. Logistics We were all reminded, by several graphic anecdotes, of the importance of careful on-the-ground running of festival events. Where are your toilets? Is there somewhere safe to store kit? And even if everything is set up carefully, what's to stop (often unpaid) artists disappearing in the moment of a festival? Intimacy and community We shouldn't go to festivals specifically to bolster long-term audiences. It's quite likely that punters will have a brilliant, hedonistic weekend seeing all kinds of exciting work, then forget all about it (and certainly won't remember your company). We should go to festivals for the love of performing, for the sense of community, for practice without pressure, to watch bands and have fun ourselves. Tom and Bridget talked about Campsite, their project for intimate work in and around campervans. They highlighted the fact that their work is, at this stage, primarily about building a community amongst artists and audiences for very small-scale performance. We agreed that there was room and desire for more collectives of artists coming together with semi-curated mini-festivals on this model. Playlist In response to this session, and just generally around D&D8, there were loads of great conversations about bands and music that are inspiring or relevant for our theatremaking. I suggested that we could start a playlist as a way to share our eclectic tastes. #DandD8Playlist with your suggestions please! Comments: 2 Deborah Henry-Pollard, 21 February 2013 If this helps, here is a link to a website which lists music festivals in the UK http://www.thefestivalcalendar.co.uk/ and also arts festivals http://www.artsfestivals.co.uk/festival-details Simon Dalley, 28 April 2013 Might be worth checking out Skiddle's 2013 festivals guide they've just launched a festival search that's fairly impressive: http://www.skiddle.com/festivals/search.php