Your reports Find reports What does ‘Post-Internet’ theatre look like? What does ‘Post-Internet’ theatre look like? Convener(s): Susanna Davies-Crook Participants: Anon. – at various stages included Tom Ross Williams, Tassos Stevens, Matt Trueman, Amy Letman, Hannah Nicklin and more Summary of discussion, conclusions and/or recommendations: How theatre and performance practices are changing in an emergent age of digital nativity. How technology is used in theatre What a ‘post-medium’ condition could equate to in theatre How character is used How narrative changes across networked experience The fear of losing the site of the theatre or the durational performative experience Changing forms The importance of live experience Can you have theatre if it is just one participant experiencing something through the screen Short sharp bursts of theatre or experience as equivalent to short sharp bursts of information on the Internet Questions of access to the net Timelines Bombardment of narratives and information that the internet allows and how this changes artistic and writing practices The difference in experience and intention of maker and audience Dries Verhoeven (sp?) Tim Etchells SMS spectacular Blast Theory Rythmss Coney “Rules of Play” – book gaming as a way of accessing fragmented narrative devices and self-emergent or self-organising narratives How can theatre expose the characteristics of the network or machine – ghost in the machine Rosa Menkman – glitch Psycho-digital Real / not real Matt Locke Character vs Roleplay User-journey access Deborah Pearson - narrative in the internet age Not using tech as a bolt on but it being irrevocably intrinsic to the creation and presentation of the work Orange Tree performance Grabbing attention, shifting audience attentions, overwhelming them