Devoted and Disgruntled 8
26 - 28 January 2013
Devoted and Disgruntled 8
York Hall, London
Sat-Sun 10-7, Mon 10-2

Do you love theatre?
Do you find it frustrating?
Do you wish it were different?
Do you feel like an outsider in your own profession?
Have you just started out and need support?
Have you been in the profession for years and feel jaded?
Is your sector always left out of the discussions?
Do you usually dread discussions and meetings?
Are you looking for a sense of: community, eldership, mentorship?
Are you looking to change things?
Devoted & Disgruntled 8
What are we going to do about theatre and the performing arts?
When I sent the first invitation out to ‘Devoted and Disgruntled: what are we going to do about theatre’ in 2005 I had no idea if anyone would come. It was an an invitation written from my love for theatre and performance, and at all the D&Ds I’ve seen people who have an incredible amount of energy and commitment to make things better. Now, 8 years on there have been over 100 D&D events, attended, in total, by over 3000 people. This year, for the first time, D&D went on tour around the entire country – 20 D&Ds, a nationwide conversation, over 500 reports on our new D&D website, 1400 people signed up. But its impact has been and continues to be immeasurable and lasting – beyond statistics. I used to feel defensive about its immeasurable nature, used to feel the need to emphasize that it is more than a talking shop, or a place to complain, that many things do happen as a result of it – shows, projects, initiatives, companies, venues, collaborations etc. By now however I feel it can speak and stand up for itself.
And now that the conversation has gone nationwide our big London D&D is an opportunity for those we have met around the country to join us at our annual gathering.
Last year, we invited you to speak for yourselves, to write your own invitations to D&D, because it is your event – made by the people that turn up to it. Below this are some of the things you said.
Just one more thing from me: whilst D&D has proved its place in the cultural landscape, sadly this cannot be said for theatre and the arts in general in the UK at this time. The Olympics have come and gone. Theatre, in both opening ceremonies, could not have done more to be considered the darling of the nation. Not up there with Ellie Simmonds and Claire Balding but close. Have you noticed a more generously disposed government, press, blogosphere towards the arts in general and theatre in particular? No, me neither. If we are going to change, shape, influence or navigate the destiny of our art form, now more than ever it is down to you and me, and the best place for us to connect is at D&D in January.
Now, over to you…
Phelim McDermott
Co-Artistic Director, Improbable
(PS: For booking, access and other information, please scroll to the end of this e-mail)
Before I went to D&D, I heard a lot of talk about the Arts Community, but it was D&D that made me feel as though I was part of it.
Rebecca Atkinson-Lord
Things happen because of D&D. I elbowed my uncle into coming along. He met people and ended up playing Prospero in a supermarket.
Laura Hayes
The first time I went was the first time I really felt like part of a community expressing itself. It’s not even that you should come, but you’ll want it as soon as you’ve been.
Tassos Stevens
it’s changed my world. It’s changed not only my ideas but my practice. It’s changed how I make work, how I meet people, how I think about what I do. It’s changed what I want from a room, from a process, from a conversation. I’m incredibly thankful for the destupidizing influence of D&D in my life.
D&D is one of the places I go to learn how to live in the future that I want. Don’t waste time resisting, like I did. Resistance is futile; presence is fertile. You should come.
Chris Goode
I always feel totally equal to everyone in the room, there is no real hierarchy, and there’s time for my voice to be heard, if I want it to be heard – and there are not many places I can say that about.
Shelley Silas
I genuinely thought I wouldn’t like D&D. It sounds too good to be true. I won’t start wheeling out the cliches but D&D is the biggest circle of people I have ever sat in. And that’s worth something.
Rachel Briscoe
A Collaborative Theatre Companies online platform was created after I accidentally sat on a chair with a small group of people.
Li-E Chen
I realised this was going to be different. And it was. It was fantastic, engaging, energising, I met tons of brilliant people doing brilliant things, and emerged with reams of notes, tons of websites to check out, lots of people to follow up with and, most importantly of all, a renewed sense of community, optimism and excitement.
Tanja Raaste
If you don’t go, you can’t complain about your voice not being heard…you might meet that one (or ten or a hundred) other person who feels exactly the way you do and it could be the start of something important….It’s not just about talking. It is ultimately about actions. And your first action should be to book a ticket.
Jayne Kearney
The people I’ve met and the conversations I’ve had each year always slightly reorganise the wiring in my brain. I come away changed, challenged, excited and the upshot is that my practice has been profoundly altered (for the better).
Emma Adams
I will stress the ‘performing arts’ notion, as last year I wondered why there weren’t more dance, circus and live artists, and I would urge you to encourage a variety of people to come and feed the event with their experiences and questions.
Clara Giraud
That’s what I love about D&D. The starting points are conversations. You meet people as people, not as their job titles or CVs. It’s how it should be really, but as you and I both know, it’s not like that most of the time.
Annie Rigby
I don’t know who you are, and you don’t know who I am, and I already know there will be something of value in our meeting.
Stella Duffy
D&D isn’t about factionalism, or what you do, or what kind of theatre you like. It isn’t about critics in one camp, directors in another, devisers in another, writers in another. It isn’t about networking and sidling your way up a ladder. If it were any of these things, it would be awful….The more people, the more backgrounds, the more variety in the room, the better D&D is. If you’re not sure whether or not to come, whether you’ll fit in, whether it’s for you, I have one thing to say. Don’t be ridiculous. D&D is for everyone, anyone, who has any feeling at all for theatre. Come.
Maddy Costa
To read the full invitations from last year go to: news.devotedanddisgruntled.com/archive
And if you want to write your own invitation for this year you can go to: www.devotedanddisgruntled.com/events/devoted-and-disgruntled-8/
So, see you there, and bring a friend.
DEVOTED AND DISGRUNTLED 8
What are we going to do about theatre and the performing arts?
Facilitated by Phelim McDermott
A 3 day event.
26th & 27th January 2013, 10am - 7pm
28st January 2013, 10am - 2pm
York Hall, Bethnal Green, Old Ford Road, E2 9PJ
Although Open Space may be new to you it has been used successfully all over the world.
It is an exciting open-ended event that enables a self-organising group to use its collective imagination to deal with complex issues and it will achieve this in an incredibly short space of time.
By the end of the event the following will have occurred:
- Every issue of concern to anybody will have been raised, if they took responsibility for doing that
- All issues will have received full discussion, to the extent desired
- A full report of issues and discussions will be in the hands of all participants.
- And YOU will have taken part in making it happen.
ACCESS
Improbable are committed to ensuring that Devoted and Disgruntled 8 is a democratic and accessible event so please contact the office to discuss your access requirements. Please be aware that in order to provide the services you need, we will need up to two weeks notice, so please do get in touch as soon as possible.
Voice: 020 7240 4556
Email: office@improbable.co.uk
Devoted and Disgruntled 8 is wheel chair accessible.
We are offering sign language interpreters, with two weeks notice.
Our information is available in a range of formats.
Assistance dogs are welcome.
TICKETS
We ask all participants to commit to the Saturday and Sunday. We do hope that you will return for the Monday morning but understand that the beginnings of weeks bring new commitments.
£24, £18 concession(student, unwaged, over 60) All support workers / access assistants are free.
Group discount:five tickets for the price of four. A group of five gets five tickets for £96.
(All proceeds are to cover direct costs of this event including the hire of the space, refreshments and equipment hires. This year we have increased out ticket prices for the first time, separating out VAT. However, money should never be a reason not to attend D&D, so please do get in touch if the ticket price is a barrier- and equally, if you can afford a little bit more, please do donate, to support the places for people who can afford less.)
BOX OFFICE
Book online through the D&D Website:
http://www.devotedanddisgruntled.com/events/devoted-and-disgruntled-8/
Tickets will be offered on a first come first served basis so please book early to ensure your place. We regret that we will be unable to offer a refund if you are unable to attend.
If you have any questions, or experience any difficulties booking online then please email on: devotedanddisgruntled@improbable.co.uk or call on 020 7240 4556
D&D TWEETS
FOLLOW USREPORTS FROM THE D&D
CATHARSIS in 2013
- 26 January 2013
- 0
- Read full report
StoryMusic2020 - a virtual open space session
- 27 January 2013
- 0
- Read full report
Making work about Mental Health using Clowning/Music/Comedy.
- 27 January 2013
- 0
- Read full report
Theatre at music festivals: where, how and why
- 28 January 2013
- 2
- Read full report
Myth and Reality / ‘Now’
- 27 January 2013
- 0
- Read full report
How and where can we expose new work (alternatives to Edinburgh)?
- 27 January 2013
- 1
- Read full report
Edinburgh ?
- 27 January 2013
- 0
- Read full report
What are we going to do about the Economics of the Edinburgh Festival Fringe?
- 27 January 2013
- 5
- Read full report
Moving and Being Still
- 27 January 2013
- 1
- Read full report
Paying 3 times: In the subsidised sector, isn't 'crowd funding' actually quite an offensive idea? Or paying at all? Come and talk to me about the alternatives (pay-what-you-can, for example)
- 27 January 2013
- 0
- Read full report
Unions: does our sector need them?
- 27 January 2013
- 0
- Read full report
What can we do about bullying in theatre?
- 28 January 2013
- 0
- Read full report
Designers and visual artists. How can we be more visible to potential collaborators and support each other?
- 29 January 2013
- 2
- Read full report
Any ideas for a long term PR campaign for ALL theatre? (I will write the funding application)
- 26 January 2013
- 9
- Read full report
I know we all want to make money but i am worried we are accidentally going to kill the fringe. HELP!
- 27 January 2013
- 2
- Read full report
Making our Audiences Active Advocates
- 27 January 2013
- 0
- Read full report
Producing your own show as an actor (or non-producer)
- 27 January 2013
- 1
- Read full report
How do we create a really cool arts scene in West London again? An Open Space Event for Spring 2013
- 26 January 2013
- 3
- Read full report
Abattoirs and the Armstrade = The reality we are in / at? Why do we pretend to be fine?
- 26 January 2013
- 2
- Read full report
What are we going to do about new writing?
- 27 January 2013
- 0
- Read full report
New Design. New Architecture. New Venues.
- 27 January 2013
- 0
- Read full report
Does anyone else want to chat about producing / being a producer?
- 26 January 2013
- 1
- Read full report
Are we happy that it's easier to earn a living as an arts administrator than as an artist?
- 26 January 2013
- 1
- Read full report
All Female Productions of the classics - It's not historically accurate. So what?
- 27 January 2013
- 1
- Read full report
What do you wish you'd learned while training to do your job better / How to develop a sustainable career?
- 26 January 2013
- 0
- Read full report
Crip, Nig Nog, Queer, Dyke - Choose me?
- 26 January 2013
- 0
- Read full report
I am interested in 'measuring the weight of silence'
- 26 January 2013
- 2
- Read full report
Making European Theatre HERE
- 27 January 2013
- 1
- Read full report
How Do You Cope With Fear Of Failure?
- 26 January 2013
- 2
- Read full report
How (and why) can we ask audiences to act?
- 4 February 2013
- 0
- Read full report
Have you had a spiritual experience in the theatre? If so, what did it feel like?
- 26 January 2013
- 0
- Read full report
What Can We Do About Touring
- 28 January 2013
- 0
- Read full report
"Gay Theatre" or "Theatre" - Help me with my MA Thesis.
- 27 January 2013
- 2
- Read full report
Working full-time and being a theatre maker = impossible?
- 28 January 2013
- 0
- Read full report
Is there a demand for minority theatre?
- 26 January 2013
- 0
- Read full report
'Verbatim' Theatre: From interviews to performance
- 27 January 2013
- 0
- Read full report
Looking for seriously FUNNY plays/actors/directors for a late night fringe production
- 28 January 2013
- 0
- Read full report
MEASURING THE WEIGHT OF SILENCE
- 28 January 2013
- 0
- Read full report
A Network for Scratch Performances?
- 28 January 2013
- 2
- Read full report
I'm goiing to help SaveLewishamA&E and Maternity Wards - I'm leaving in 5 minutes
- 27 January 2013
- 0
- Read full report
Christopher Hitchens on Stage?
- 31 January 2013
- 0
- Read full report
Going Solo: What can I do in a room by myself.
- 27 January 2013
- 2
- Read full report
Pacing
- 28 January 2013
- 1
- Read full report
Unpaid Work. Is it ok?
- 27 January 2013
- 2
- Read full report
Independent thinking: can we do it out loud & together?
- 27 January 2013
- 0
- Read full report
What should your local theatre do for you and vice versa?
- 27 January 2013
- 0
- Read full report
New Writing Website
- 28 January 2013
- 4
- Read full report
Of course we don't need a Playwright's Studio like they have in Scotland!
- 26 January 2013
- 0
- Read full report
How can we change the statistics about women in theatre.
- 27 January 2013
- 1
- Read full report
What makes a good story?
- 27 January 2013
- 0
- Read full report
Are actors marginal?
- 27 January 2013
- 0
- Read full report
I Have A Toddler, Help! - Sequel to last year's I Have A Baby, Help!
- 27 January 2013
- 0
- Read full report
What can Artists do about Climate Change?
- 27 January 2013
- 0
- Read full report
Alignment in order to make connections between life strands
- 27 January 2013
- 0
- Read full report
MONEY - It's Dramatic Potential
- 26 January 2013
- 0
- Read full report
What Does Maria Miller Need to Know?
- 26 January 2013
- 2
- Read full report
Help The Aged Actor - Keeping Us In The Profession
- 26 January 2013
- 0
- Read full report
Help The Aged Actor - Keeping Us In The Profession
- 26 January 2013
- 0
- Read full report
All this empty office/warehouse space in London! A new website to hook up artists with no money to empty rehearsal/workshop space.
- 7 February 2013
- 0
- Read full report
Adopting a child & Making theatre: Is there ever a right time to do both?
- 28 January 2013
- 0
- Read full report
I’m a Critic. Get Me Out of London
- 28 January 2013
- 0
- Read full report
Artist as Entrepreneur
- 27 January 2013
- 2
- Read full report
Becoming an NPO: holy grail or death by paperwork?
- 26 January 2013
- 0
- Read full report
What do you want from your audience?
- 30 January 2013
- 1
- Read full report
Is One on One Theatre Still Exciting?
- 26 January 2013
- 0
- Read full report
Tea With The Gays
- 4 February 2013
- 0
- Read full report
What is the best use of new technology on the stage?
- 27 January 2013
- 1
- Read full report
Holy Scarab Beetle: The Artist as Parasite in Tory Britain
- 27 January 2013
- 0
- Read full report
DIVERSITY - destination or journey
- 27 January 2013
- 0
- Read full report
D and D about D and D? Feedback please.
- 29 January 2013
- 1
- Read full report
Creating Interactive and Digital Performances
- 26 January 2013
- 0
- Read full report
Autobiographical work (problems of)
- 28 January 2013
- 0
- Read full report
The Business of Musical Theatre Writing
- 2 February 2013
- 0
- Read full report
Red Riding Hood Project 'Seeing Red'
- 1 February 2013
- 0
- Read full report
What don't you understand? A mutual sharing of doubt
- 27 January 2013
- 0
- Read full report
700 dolls to bring peace to 7 billion people
- 27 January 2013
- 2
- Read full report
Censorship & Freedom of Speech
- 29 January 2013
- 0
- Read full report
How can regular gatherings turn competition and politics into collaboration and partnerships
- 26 January 2013
- 3
- Read full report
Scratch Nights : Useful?
- 27 January 2013
- 0
- Read full report
Mmmentoring
- 29 January 2013
- 0
- Read full report
Cavafy: (Queer) poetry on stage & What can theatre and spoken word learn from each other?
- 27 January 2013
- 0
- Read full report
Positivity, Please?
- 27 January 2013
- 4
- Read full report
show us your party trick!
- 27 January 2013
- 2
- Read full report
Joan Littlewood's Centenary, October 2014 : A Thing
- 26 January 2013
- 0
- Read full report
Dealing With Dickheads
- 27 January 2013
- 0
- Read full report
Interactive Theatre
- 28 January 2013
- 0
- Read full report
Venues need to offer better ticket deals for local artists.
- 28 January 2013
- 0
- Read full report
What are we going to do about theatre criticism?
- 27 January 2013
- 0
- Read full report
writers makers artists entertainers - how the words we use divide and bond
- 27 January 2013
- 3
- Read full report
I'm A Cool Guy - why don't I know any...
- 27 January 2013
- 0
- Read full report
What should designers be doing about access?
- 27 January 2013
- 0
- Read full report
Collaborations for fun
- 27 January 2013
- 0
- Read full report
Theatre in Argentina- anyone know anything?
- 27 January 2013
- 2
- Read full report
What's your story?
- 27 January 2013
- 0
- Read full report
Richard the First*: we've written a musical for an upright piano and four tambourines. We need help.
- 26 January 2013
- 0
- Read full report
Rehearsal Triage: Some plays need saving, some will save themselves, and some should be put out of their misery.
- 27 January 2013
- 0
- Read full report
Rehearsal Triage: Some plays need saving, some will save themselves, and some should be put out of their misery.
- 27 January 2013
- 0
- Read full report
The Intention Action Gap with biscuits
- 27 January 2013
- 0
- Read full report
Masques and Anitmasques: Bringing Back Patronage
- 27 January 2013
- 0
- Read full report
Why is it so hard to say 'SOD IT, no more work in progress, my show is FINISHED.'
- 27 January 2013
- 0
- Read full report
HAVE:NEED, MARIA & HOW TO TIME?
- 27 January 2013
- 0
- Read full report
Shameless "need a job" session: Do you need a puppeteer? / How do I get into motion capture?
- 26 January 2013
- 0
- Read full report
How do we talk to people who are against what we stand for?
- 27 January 2013
- 0
- Read full report
The English BAC: Will it push us further into Elitism?
- 27 January 2013
- 1
- Read full report
The Jo-Complex: Making a Production About Hair
- 27 January 2013
- 0
- Read full report
If theatre is about truth, should we be more naked?
- 27 January 2013
- 1
- Read full report
community-professional collaborative performance projects in non-formal spaces in Lambeth.
- 27 January 2013
- 0
- Read full report
Devising a piece about Consumerism
- 27 January 2013
- 0
- Read full report
Mask Theatre: Hominins - Steven Whinnery Mask Maker/Theatre Maker
- 26 January 2013
- 0
- Read full report
"Career" or no "career"?
- 26 January 2013
- 0
- Read full report
ARTISTIC DIRECTORS ON THE LONDON FRINGE - TO SUCK UP OR SPEAK YOUR MIND?
- 26 January 2013
- 0
- Read full report
A Christian And An Atheist Walk Into D&D
- 26 January 2013
- 0
- Read full report
Does the Devil have a job?
- 26 January 2013
- 0
- Read full report
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